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Badinter blames intensive mothering for distorting feminism and pulling women back into the home. But one could also say it’s a socially approved way of withdrawing from a workplace that, in addition to all the usual sorrows and pains, has been sexist in general and hostile to mothers in particular, and of resolving the frustrations of the double day—women’s greater domestic burden.
We expect more from technology and less from one another and seem increasingly drawn to technologies that provide the illusion of companionship without the demands of relationship. Always-on/always-on-you devices provide three powerful fantasies: that we will always be heard; that we can put our attention wherever we want it to be; and that we never have to be alone. Indeed our new devices have turned being alone into a problem that can be solved.

Tell My Horse is a curious mixture of remembrances, travelogue,sensationalism, and anthropology. The remembrances are vivid, the travelogue tedious, the sensationalism reminiscent of Seabrook, and the anthropology a mélange of misinterpretation and exceedingly good folklore…

Tell My Horse is a curious mixture of remembrances, travelogue,sensationalism, and anthropology. The remembrances are vivid, the travelogue tedious, the sensationalism reminiscent of Seabrook, and the anthropology a mélange of misinterpretation and exceedingly good folklore…

My book is about the power of being quiet. About the perils of a society that appreciates good talkers over good ideas. And about the terrible pressure to entertain, to sell ourselves and never to be visibly anxious.

Morning music from the girl.

Aretha Franklin - It’s My Turn - Park West Concert (by arethafan2006)

She repeats it, slowly, with the air of revelation. “Go to work, get your money, come home.” She was not obliged, he said, to live as they saw her in their imagination.
But connecting in sips doesn’t work as well when it comes to understanding and knowing one another. In conversation we tend to one another. (The word itself is kinetic; it’s derived from words that mean to move, together.) We can attend to tone and nuance.

A Litany For Survival: the Life and Work of Audre Lorde Trailer (by ThirdWorldNewsreel)

Screened this for my SLC students, and was reminded of that snowy day— in early 1996— when I walked from Fort Greene to Park Slope to see it for the first time. Magical!

I am here, the mermaid whose dark hair
streams black, the merman in his armored body
We circle silently about the wreck
we dive into the hold. …
We are, I am, you are
by cowardice or courage
the one who find our way
back to the scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.

Classic Pesto (by Kinfolk)

And what is our real job as parents, if not first to nurture the beings entrusted to our care, to have faith in their inchoate processes of growing and becoming, and then to show up, again and again, for as long as we are able, to bear grateful witness to their unfolding destinies?
Katrina Kenison, via domestic reflections

Mendi + Keith Obadike — American Cypher: Stereo Helix for Sally Hemings (by ObadikeStudio)